Andriy Sovetov has been composing music since middle school and became much more serious about the craft after he began listening to film scores more intently in high school. Since then he has been actively writing music for a variety of ensembles ranging from Chamber Ensembles to fully orchestral film cues.
He began to write music to picture in his early college years. The more he tried it, the more he began to enjoy the process of starting a new film. He has since worked with student, indie, and professional film-makers, including a documentary for The University of Colorado at Boulder. He’s spent time interning in LA, working for composers Timothy Wynn and Christopher Lennertz at Sonic Fuel Studios. He has most recently received his Master’s from Hummie Mann at the Pacific Northwest Film Scoring Program.
Selected as a Finalist for the 2016 Morton Gould Young Composer’s Award, Andriy strives to incorporate a musical sophistication into his film scores while entertain audiences through supportive, dramatic underscores. One of the biggest struggles he faces as a composer if finding the right balance for each piece, or cue, between providing something that is both intriguing and palatable for most audiences.